Marilyn Minter

Born in Shreveport, Louisiana, 1948; Lives and works in New York, New York

This is how I feel about the creative process: if you listen to your inner vision and listen to your own voice, and make art from that place, sooner or later the zeitgeist hits you. — Marilyn Minter, 2020

Artwork

Exhibitions

04.12–06.03.2023
Marilyn Minter 2023
Salon 94 89th Street

Marilyn Minter

06.26–09.05.2021
All Wet
MO.CO. - Montpellier Contemporain

Marilyn Minter

04.02–06.13.2021
Smash
MOCA Westport

Marilyn Minter

02.11–08.02.2020
Nasty Woman
The Savannah College of Art and Design, Gavlak Gallery

Marilyn Minter

11.04.2016–05.07.2017
Pretty/Dirty
Brooklyn Museum, Orange County Museum of Art, Museum of Contemporary Art Denver, Contemporary Arts Museum Houston

Marilyn Minter

10.27–12.22.2016
2016
Salon 94 Bowery

Marilyn Minter

10.28–12.24.2011
2011
Salon 94 Bowery

Marilyn Minter

04.30–06.12.2011
Retrospective at the Deichtorhallen Hamburg
Deichtorhallen Hamburg

Marilyn Minter

04.28–06.13.2009
Green Pink Caviar
Freeman Alley

Marilyn Minter

11.12.2006–01.20.2007
2006
Salon 94 94th Street

Marilyn Minter

Projects

Thirsty (Drinking Fountain)
Projects

Marilyn Minter

Elder Sex
Projects

Marilyn Minter

Biography

Courtesy The New York Times. Photo by Thea Traff.

Marilyn Minter (b. 1948) deftly explores American culture’s pathology of glamour through painting, photography, and video works which focus primarily on the female body and its treatment in popular media. From early bodies of work, including Coral Ridge Towers, a critically lauded series which captured the artist’s mother in shocking intimacy, to her Food Porn paintings, which anticipated the contemporary aestheticization of food and consumption in the digital age, Minter’s images are always powerfully urgent. In striking Photorealist paintings and sexually charged photographs, Minter abstracts her subjects as she reimagines them at the cusp of beauty.

In recent years, the artist has turned her attention to the bather as subject. Once the domain of a male-dominated Western art historical canon, Minter’s bathers express their own agency, oftentimes pictured behind frosty or steamed panes of glass, and are atypically discriminating in how they allow the viewer to consume their image. In 2021, this series was the subject of a solo exhibition, Marilyn Minter: All Wet, at MO.CO. Panacée, Montpellier (FR), with an accompanying catalogue.

The artist has been the subject of many solo museum exhibitions, including a recent presentation of her video practice, Smash, at the Museum of Contemporary Art, Westport (CT) in 2021. Minter’s work was also the subject of a solo exhibition, Nasty Woman, at the Savannah College of Art and Design Museum of Art (GA) in 2020. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). She was also included in the 2006 Whitney Biennial. Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998).

Minter’s work is in the collections of many museums globally, including the MIT List Center, Cambridge (MA); the Museum of Contemporary Art, Los Angeles (CA); the Museum of Fine Arts, Boston (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.

CV

Press

03.04.2024
Marilyn Minter on why she wants to photograph Michelle Obama and Oprah Winfrey, and challenging rigid beauty standards with a feminist lens
Aaina Bhargava

Tatler Asia

04.09.2023
Marilyn Minter, an Artist Who Resonates and Repels
Robin Pogrebin

The New York Times

11.16.2021
Marilyn Minter’s photos of nude bathers tread the line between art and porn
Miss Rosen

I-D

07.21.2021
Marilyn Minter On Overcoming Censorship and Bringing Back Pubic Hair
Chloe Stead

Frieze

11.11.2016
Lush Morsels From an Artist’s Erotic Imagination
Nancy Princenthal

The New York Times

10.28.2016
Why Marilyn Minter is more relevant now than ever before
Dalya Benor

Dazed

10.01.2015
Marilyn Minter
Glenn O’Brien

Artforum

03.01.2013
planet gorgeous
Glenn O'Brien

Purple Magazine

03.01.2007
Beauty and Desecration
Barry Schwabsky

Art in America