Betty Woodman

b. 1930 — d. 2018

The Estate of Betty Woodman

I wanted to make functional objects that would better lives by virtue of the pleasure of beauty. I was very interested in the whole issue of keeping craft traditions alive. I should add that the loss of control when the object that you’ve just made is put inside a kiln and you don’t know how it will turn out is a big part of the magic that I love. — Betty Woodman



House of the South
Salon 94 89th Street

Betty Woodman

Breakfast At The Seashore Lunch In Atella
Salon 94 Bowery

Betty Woodman

Windows, Carpets, and Other Paintings
Freeman Alley

Betty Woodman

Group Show
Salon 94 94th Street

Memory Ware

Group Show
Salon 94 Bowery

Paul Clay

Front / Back
Salon 94 Bowery

Betty Woodman


Portrait of Betty Woodman by Stefano Porcinai

An icon of postwar American art, Betty Woodman (1930—2018) elegantly synthesized musings on history, gender, labor and domesticity to produce dynamic and exuberantly colorful painted ceramics. Animated by the medium’s unpredictable nature, Woodman’s oeuvre is characterized by a ceaseless experimentation with structure, functionality and archetype. As her career progressed, Woodman’s vessels expanded into joyful installations which took the form of ceramic wall configurations, as well as imagined dwellings of some of her art historical predecessors—including the Italian Renaissance painter Fra Angelico and the post-Impressionist Pierre Bonnard—which combined her decades-long ceramics practice with both single and multi-paneled painted canvases. Woodman also found inspiration in the saturated light of Antella, Italy, where she spent much of her adult life, as well as in the landscapes of Boulder, Colorado. She also lived and worked in New York.

The artist’s work is currently included in The Flames: The Age of Ceramics at the Musée d’Art Moderne, Paris (FR) until February; Craft Front and Center at the Museum of Arts and Design, New York (NY) until February; Making Knowing: Craft in Art, 1950 - 2019 at the Whitney Museum of American Art, NewYork (NY) until February ; and Extraordinary Ordinary Things, an ongoing exhibition at the Carnegie Museum of Art, Pittsburgh (PA).

Woodman made history in 2006 as the first living woman artist to have a retrospective at the Metropolitan Museum of Art in New York. Since then, the artist has been featured in numerous solo exhibitions globally, including Betty Woodman: Theatre of the Domestic at the Institute of Contemporary Art, London (U.K.) in 2016; Betty Woodman at the Museo Marino Marini, Florence (IT) in 2016; Betty Woodman: Places, Spaces & Things at the Gardiner Museum, Toronto (CA) in 2011; Betty Woodman: Roman Fresco/Pleasures and Places at the American Academy in Rome (IT) in 2010; and Somewhere Between Denver and Naples at the Denver Art Museum (CO) in 2006, among others.

The artist’s work is in many prestigious public collections, including the Boston Museum of Fine Arts (MA); the Brooklyn Museum of Art (NY); the Los Angeles County Museum of Art (CA); the Metropolitan Museum of Art (NY); the Museum of Modern Art (NY); the Whitney Museum of American Art (NY); the National Gallery of Art, Washington, D.C.; and the Stedelijk Museum, Amsterdam (NL), among many others internationally.



Ceramics and Architecture: The Legacy of Betty Woodman
Osman Can Yerebakan


Betty Woodman with Phong Bui
Phong Bui

The Brooklyn Rail

Feel More
Amy Sherlock


Talking Pottery and Magic with Betty Woodman
Laura Allsop


Decoration Myths
Peter Schjeldahl

The New Yorker

Yes, They’re Clay, but Don’t Dare Call Them Ceramics
Ted Loos

The New York Times