Takuro Kuwata

b. 1981

Born in Hiroshima, Japan, 1981; Lives and works in Toki City, Gifu, Japan

Clay constricts when it dries out or is fired in a kiln...its cracks can be regarded as an individuality of the clay. I am attracted to the unique features of firing and clay, and I feel expressions based on their uniqueness are very interesting. — Takuro Kuwata

Artwork

Exhibitions

01.16–02.15.2025
Atsumaro Ze! (Let's Get Together!)
Salon 94 89th Street

Takuro Kuwata

03.20–04.24.2021
Zungurimukkuri (Roly Poly)
Salon 94 89th Street

Takuro Kuwata

09.09–10.25.2015
Dear Tea Bowl
Freeman Alley

Takuro Kuwata

01.18–02.25.2013
Flavor of Nature
Salon 94 Bowery

Takuro Kuwata

06.23–08.12.2011
Group Show
Salon 94 Bowery

Paul Clay

Biography

Portrait of Takuro Kuwata by Koho Kotake

Since 2010, Takuro Kuwata (b. 1981, Hiroshima Prefecture, Japan) has expanded the possibilities and pushes the boundaries of ceramic art. Kuwata’s studio is situated at the heart of Japanese ceramic artistry in the Mino region of Gifu Prefecture, which retains techniques dating back to feudal Japan.

Kuwata is a serious student of Chanoyu, the Japanese tea ceremony. He deploys many of the characteristic features of teaware in his work: asymmetry, intentional cracking and drips, and the celebrated technique of kintsugi, in which breaks are repaired with gilt lacquer, drawing attention to their chance beauty. In Kuwata’s work each of these aspects is heightened and exaggerated to punk extremes. His surfaces are deeply fissured, and instead of a single drip down at the base (as is common in historic kairagi glazed pots), Kuwata’s works feature a whole surface full of pendulous drops whose bright metallic luster glazes refer to kintsugi without literally replicating it. For Kuwata, the exhibition space and the ceramics studio have both been spaces for ritual; each are sites for his ongoing performance of reinventing the ancient shape of the tea bowl. Starting in 2016, he also has created monumental ceramic works for outdoor installation.

Over the past year, he has been experimenting with metal casting in aluminum and bronze, discovering colors and textures and new possibilities of scale shift. Experimentation is not incompatible with sheer pleasure and conceptual rigor.

In addition to numerous solo exhibitions globally, Kuwata’s work has been included in recent group exhibitions including Your Home is Where You’re Happy, Haus Modrath, Kerpen (DE) in 2023; Worlds in Balance: Art in Japan from the Postwar to the present, Okura Museum of Art, Tokyo (JP) in 2023; Strange Clay: Ceramics in Contemporary Art, Hayward Gallery, London (UK) in 2022; and Les Flammes, Musée d’Art Moderne de Paris (FR) in 2021, among others. The artist was a finalist for the LOEWE Craft Prize 2018.

Kuwata’s work resides in numerous international public and private collections, including The Art Institute of Chicago (IL); 21st Century Museum of Contemporary, Kanazawa (JP); The Metropolitan Museum of Art, New York (NY); Rubell Family Collection, Miami (FL); and The University of Michigan Museum of Art, Ann Arbor, among others.

CV

Press

01.23.2024
Japanese tea bowl renaissance by ceramic artist Takuro Kuwata
Daria Kravchuk

Stir World

02.28.2020
Jonathan Anderson on an Industry in Flux
Liam Freeman

Vogue

02.28.2020
At Loewe’s Fall 2020 Presentation, Radical Pottery Hides in Plain Sight
Tiffany Jow

Surface

03.20.2019
Takuro Kuwata Interview
Takuhito Kawashima

Apartamento

05.04.2018
Jonathan Anderson and Dame Helen Mirren on the Emotional Importance of Craft
Osman Ahmed

Vogue

05.03.2018
Classical Ceramicist Jennifer Lee Wins the 2018 Loewe Craft Prize
Javier Pes

Artnet

01.01.2018
SHADOWED SPECKLED TRACES, FADING ELIPSE, BRONZE SPECKS, TILTED SHELF
Nicholas Carolan

Grazia

10.02.2017
Takuro Kuwata: Why I Create
Clare Lilley

Phaidon

09.22.2016
Drinking Out of Cups? Eccentric Ceramics Reinvent the Tea Ceremony
Anna Marks

Vice

01.01.2014
Takuro Kuwata
Jeffrey Uslip

Kaleidoscope Asia

01.17.2013
Takuro Kuwata: Breaking the Mold
Erica Bellman

T Magazine