Jimmy DeSana

b. 1949 — d. 1990

The Estate of Jimmy DeSana

My dear, it’s all so Christian and medieval and gloomy. Precisely. Jimmy DeSana, your intrepid photographer, has witnessed and preserved for posterity the unspeakable rights of these benighted natives, rites as clearly derived from Christianity as a black mass — William Burroughs, 1979

Artwork

Exhibitions

01.25–08.29.2020
The Sodomite Invasion
Griffin Art Project

Estate of Jimmy DeSana

08.14–12.09.2016
Remainders
Pioneer Works

Estate of Jimmy DeSana

05.06–06.25.2016
Group Show
Salon 94 Bowery

Still Lives: Jimmy Desana and Hanna Liden

06.21–08.16.2013
Party Picks
Salon 94 Bowery

Estate of Jimmy DeSana

Biography

Jimmy DeSana, Aluminum Foil #4, 1985

Jimmy DeSana (1949-1990) was a photographer whose induction into
New York’s East Village scene in the early 1970s would prove monumental
to the aesthetic storytelling of that significant moment of the City’s
history. DeSana’s staged images of the human body contorted and in
motion—as well as his many portraits of such cultural icons as Yoko
Ono, John Giorno, David Byrne, and Debbie Harry—captured the
defining avant-garde spirit of that moment. In black and white silver
gelatin prints, the artist’s self-published book, Submission (1979),
explored the ambiguous nature of the BDSM subculture, while other
series present colorful images of the artist and his friends posing
faceless and writhing in various domestic spaces. When the artist
passed away in 1990, he left his estate to the photographer and
filmmaker Laurie Simmons, another artist represented by Salon 94,
who continues to advocate for DeSana today. While the artist was
exhibited widely during his lifetime, the last decades of exhibitions
and scholarship have firmly cemented DeSana in the canon of
contemporary art.


Recent solo and group exhibitions include Ray Johnson: WHAT A DUMP
at David Zwirner, New York (NY) in 2021; All of Them Witches at Jeffrey
Deitch, Los Angeles (CA) in 2020; The Sodomite Invasion:
Experimentation, Politics and Sexuality in the work of Jimmy DeSana
and Marlon T. Riggs
at Griffin Art Projects, Vancouver (CA) in 2020;
Jimmy DeSana and the Sex Appeal of the Inorganic at Amanda Wilkinson
Gallery, London (UK) in 2019; Art after Stonewall, 1969 – 1989 at the
Leslie-Lohman Museum of Art, New York (NY) in 2019; Jimmy DeSana
at xavierlaboulbenne, Berlin (DE) in 2016; Performing for the Camera
at the Tate Modern, London (UK) in 2016; and Remainders at Pioneer
Works, Brooklyn (NY) in 2016.


DeSana’s work is included in the collections of the Brooklyn Museum
(NY); the Institute of Contemporary Art, Boston (MA); the Leslie-Lohman
Museum of Art, New York (NY); the Metropolitan Museum of Art, New
York (NY); the Museum of Contemporary Art, Chicago (IL); the Museum
of Fine Arts, Houston (TX); the Museum of Modern Art, New York (NY);
and the Whitney Museum of American Art, New York (NY), among
others.

CV

Press

09.01.2019
Suburban/Submission
Bryan Barcena

FOAM

01.18.2017
Surreal Sexuality
William J. Simmons

Aperture

08.25.2016
Revisiting an Artist’s Provocative Photographs
Martha Schwendener

The New York Times

07.23.2015
Jimmy DeSana Gives Suburban Sprawl a Sexy New Meaning
Cait Munro

Artnet News

10.01.2013
Jimmy De Sana
Beau Rutland

Artforum

09.21.2013
Fourteen: Purple Visual Essay
Jimmy De Sana

Purple Magazine

09.21.2013
Jimmy De Sana
Anne Doran

Art in America

11.01.1995
Jimmy De Sana at Pat Hearn - New York, New York - Review of Exhibitions - Brief Article
David Bourdon

Art in America

09.29.1995
The Provocative Work of an Abbreviated Life
Charles Hagen

The New York Times

01.29.1988
Jimmy De Sana at Pat Hearn by Roberta Smith
Roberta Smith

The New York Times

01.01.1979
Submission: Jimmy De Sana
William S. Burroughs

Scat Publications New York